Gallery Shadow

24 Jul

Hey Mediadreamzers

Feels like I have been away for an eternity, have missed having something media related to share. Now the wait is over as Friday I did something fun; Friday was spent in the production gallery with an Assistant Producer, Director, Graphics guy, Screen Controller, EVS guy and finally Sound. I will be honest being an AP in a gallery with LIVE broadcasting makes you feel like an Octopus; need lots of hands to be doing so many things all at once and trying to get everything so precise I guess takes practice. And that is where my work shadowing started at the front desk and working my way to the back of the room and then into the Sound room.

The role for an AP from what I have seen so far is looking at bulletin schedules, filling in sheets about music and medias used in broadcasting that has copyright clearance, calculating the times for programs to start, end, subtracting advert showing times, cuing when each media piece is gonna be shown and counting down from beginning to end. I also got to see and use the control panel and there were more buttons there than on a spaceship would have. This is why they have three stopwatches in order to work this out and to also workout airtime to avoid over running. There is so much more that I saw but there is a lot more to see so this is one area in the gallery that interests me to see more about.

Graphics was using a specific program to get the shots of the afternoons broadcasting which is a mixture of being simple but hard with the process of creating them, but was fun all the same. This combined with the seeing how they are found and added to the TV screens during broadcasting was clever, fast and in a way pretty easy.

Eventually I was at the back of the room with the EVS guy and as a second place job that looks hard this has to be it. As this roles you have two computers screens to find media footage, two box controls for selecting and broadcasting clips, four screens showing a prev and a current broadcasting on what is happening live. The key thing in this role is to have very good hears when the AP or Director shouts out what clip or piece they want to show next. I have been told that there is a user manual you can download for this, so I will have a lot of reading to do there.

Finally, the Sound room, which in itself is like a private box at Ascot; spacious, private and quiet too. Again looks simple but when your in the seat you wonder which fader is set to control what if not marked, taking calls ready for phone in interview and making sure that sound doesn’t peak 7 decibels. Day end really fast and the AP and Direcotr of the day said that I am welcome back anytime, just come through to the gallery and take it from there. So definitely gonna go back but will of course give an advanced heads up.

Next media posting will be that of the Summer Film Fringe Fest.

Nunquam Deditioneum

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