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Ready, set get Bond In Motion

4 Sep

Hey Mediadreamzers

 

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It’s been awhile since I wrote a post, granted it isn’t media production related but it is media related. Have had a few days going round London seeing sights and shows, but the most fun and important was going to the London Film Museum, to see the ‘Bond in Motion’ exhibition. I had been meaning to go for ages and finally managed to find time to go and during a week where the temperature was in the 30’s, so my mission, which I accepted for Queen and Country in the spirit of British duty, and because I wanted to go. My driver’s licence was at the ready, just a shame that I couldn’t drive any of the cars, though if I was to pick one I would find it really difficult as they are all so cool and have there own signature mark from each featuring in their own film.

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There were two floors to the exhibition; upstairs there were sketches and some of the props from the films, and of course on the lower level all the cars and devices used/ featured in the film. There were also cabinet displays of a mixture of things in, clapper board, passports etc. Next to the cars were TV screens playing snippets from the films & info screens with ‘did you know’ facts, and it got a lot more interesting.

There was a photo booth where you could be 007; wearing a tuxedo top and bow tie standing in the background frame of a barrel of a gun making the Bond pose. In answer to any question here yes I had some fun and had a few shots taken, just for a laugh. At the end of the exhibition you could sit in the cafe before going to the gift shop and of course it would be rude not to leave without getting something, so of course I got what everyone usually gets when they say ‘been there, done that’; a t-shirt. Something else to add to my Bond collection. I suggest if you haven’t been go it is a brilliant exhibition to go to and if your passing through Borough market then go for it.

Have a few events coming up this month but the most important one is at the end of the month and it is at my second-home; Pinewood, so keep your eyes on my blog and you will see something in about three from today. Also I had fun taking a selfie shot on the London Tour bus.

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Nunquam Deditionem

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Shoot, Create, Screen

24 Jul

Hey Mediadreamzers

Two posts in two days, that’s a first but as promised a follow up from the last one. Only this one is more to do with the Film Festival events that has been sweeping up and down the UK, in a nutshell the 48 hour Film Challenge.MKChallenge. So the mission which many people chose to accept was to shoot a short film in the space of two days and to submit it for the event within the set deadline. This was all part of the International Festival Fringe of Summer Shorts; one could say this is our equivalent to Cannes minus travelling abroad.

Summer Shorts

I was surprised at the number of people who turned up a mixture of those who worked on the shorts and those supporting the films themselves. The films running order stood thus:

The Interview – Directed by Adam Jeayes Comedy with a double meaning in the title

Marmeladas – Directed by Rosemary Hill that means Cheese which language I can’t remember

Five Pound Note – Directed by Ana Diego Silent film with only background noises.

Spirit Cleanser – Directed by Julie Cuthbert

West Ham, Farewell Boleyn – Directed by Roger Stotesbury I really enjoyed this documentary and I’m sure those who are West Ham fans would too. Got to speak to the director on this film too.

Product Placement – Directed by Ana Diego focusing on the issue of trafficking

First Response – Directed by Carl Mason Zombie police film

Silently Within Your Shadow – Directed by Scott Lyus a Ventriloquist’s dummy that comes to live and has a connection with the Ventriloquist. One thing that surprised me was that people were asking me was I the Ventriloquist in the film because the actress who played her had the same hair color and length as me. Was flattered but not pretty enough to be an actress.

In Tents – Directed by MJ Dixon Thriller by a director I know very well and it does make you jump out of your skin.

Avant Macabre – Directed by John H Shelton

Nightman – Directed by Kieran Johnston

The Night Walker – Directed by Michael Hallett

There were some films that were creatively done, a genuine thinking outside the box short and then there were 1-2 that once you watched them you thought what the hell that doesn’t make sense or was just awful no doubt about it. Overall the night was great seeing something on screen and as I sat there a film idea for a short came to mind whether I suggest it to someone and it gets made for the next shorts festival who knows.

Hopefully more media activities to share soon when the next is I don’t know at all.

Nunquam Deditioneum

Gallery Shadow

24 Jul

Hey Mediadreamzers

Feels like I have been away for an eternity, have missed having something media related to share. Now the wait is over as Friday I did something fun; Friday was spent in the production gallery with an Assistant Producer, Director, Graphics guy, Screen Controller, EVS guy and finally Sound. I will be honest being an AP in a gallery with LIVE broadcasting makes you feel like an Octopus; need lots of hands to be doing so many things all at once and trying to get everything so precise I guess takes practice. And that is where my work shadowing started at the front desk and working my way to the back of the room and then into the Sound room.

The role for an AP from what I have seen so far is looking at bulletin schedules, filling in sheets about music and medias used in broadcasting that has copyright clearance, calculating the times for programs to start, end, subtracting advert showing times, cuing when each media piece is gonna be shown and counting down from beginning to end. I also got to see and use the control panel and there were more buttons there than on a spaceship would have. This is why they have three stopwatches in order to work this out and to also workout airtime to avoid over running. There is so much more that I saw but there is a lot more to see so this is one area in the gallery that interests me to see more about.

Graphics was using a specific program to get the shots of the afternoons broadcasting which is a mixture of being simple but hard with the process of creating them, but was fun all the same. This combined with the seeing how they are found and added to the TV screens during broadcasting was clever, fast and in a way pretty easy.

Eventually I was at the back of the room with the EVS guy and as a second place job that looks hard this has to be it. As this roles you have two computers screens to find media footage, two box controls for selecting and broadcasting clips, four screens showing a prev and a current broadcasting on what is happening live. The key thing in this role is to have very good hears when the AP or Director shouts out what clip or piece they want to show next. I have been told that there is a user manual you can download for this, so I will have a lot of reading to do there.

Finally, the Sound room, which in itself is like a private box at Ascot; spacious, private and quiet too. Again looks simple but when your in the seat you wonder which fader is set to control what if not marked, taking calls ready for phone in interview and making sure that sound doesn’t peak 7 decibels. Day end really fast and the AP and Direcotr of the day said that I am welcome back anytime, just come through to the gallery and take it from there. So definitely gonna go back but will of course give an advanced heads up.

Next media posting will be that of the Summer Film Fringe Fest.

Nunquam Deditioneum

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